In a society that increasingly communicates in and through images and in which images are gaining ever more significance as epistemological objects, training is urgently required in image criticism skills. The Master’s Degree Program in Art History and Image Theory aims to meet this challenge by expanding the discipline of art history to include questions of image theory and approaching art history through this lens. The program enables students to acquire a more advanced education in the discipline’s vast spectrum of subject matter while also allowing them to specialize in one of the following fields: «The Middle Ages and the Reception of the Middle Ages», «Early Modern Art», «Modern Art», or «Image Theory and Image History». Both research- and practice-oriented, the program opens up a wide variety of careers such as museum and gallery work, historic preservation, art education, publishing, journalism, cultural management, the art market and academia.

With support from other institutions such as eikones – Center for the Theory and History of the Image, the University of Basel’s Department of Art History concentrates on questions of image theory, image history and the history of the discipline, paying particular attention to the increased and continually growing significance of images as epistemological objects. In Basel, this is closely linked with the traditional role of art history: Appreciating, preserving and conveying the historical, social, political and aesthetic dimensions of artistic and cultural heritage in tangible form. The master’s program also teaches students about the aesthetic and theoretical discourse that has formed in the dialog between the arts and media, helping them to develop a critical awareness of their own methods and theories in engaging with artworks.

In contrast to the general master’s degree program, this particular master’s degree program allows students to deepen their knowledge of the entire discipline while also specializing in one of the following four areas:

• The Middle Ages and the Reception of the Middle Ages: Art history of the Middle Ages with a particular emphasis on the art of the Byzantine cultural sphere; engaging with influences up to the present day (such as the Middle Ages in film) 
• Early Modern Art: Painting, architecture, sculpture, and arts and crafts from the European Renaissance eras to the late eighteenth century; discussing intellectual and cultural contexts and how they reflect on image theory
• Modern Art: Theoretical and practical engagement with European and European-influenced art history from the late eighteenth century up to the global present 
• Image Theory and Image History: Investigating the many functions of images in historical, cultural and academic contexts (in collaboration with eikones)